recordings

 

Archie Shepp - Attica Blues Big Band in Paris (Live at the Palais des Glaces).

Dance Of The Love Ghosts 1987 Bass – Fred Hopkins Clarinet – John Carter Cornet – Bobby Bradford Drums – Andrew Cyrille Trombone, Bass Trombone – Benny Powel...

Zenzile.jpg

Terry Jenoure, LETTERS FROM PAPA, 2023

Terry Jenoure, PORTAL, 2021

Michael Dessen, LINEAL, [Clean Feed Records, 2008]

Terry Jenoure, Sebastian Gramms, & Helios String Quartet; LOOKS LIKE ME [Free Elephant 2006]

Terry Jenoure; PROMISES [She Imagines Music, 2001]

Terry Jenoure; PURPLE AND SILK   [Self-produced, 1999]

Terry Jenoure/Sibylle Pomerin;  AUGURIES OF SPEED    [ICM Records, 1992]

Compilation; FROM HIP-HOP TO BE-BOP [Rhythm Attack Productions 1990]

John Carter;  SHADOWS ON A WALL   [Gramavision Records, 1989]

John Carter;  FIELDS   [Gramavision Records, 1988]

Terry Jenoure;  GIVE YOU THIS   [Minor Music, 1987]

John Carter;  DANCE OF THE LOVE GHOSTS  [Gramavision Records, 1986]

John Carter;  THE CASTLES OF GHANA  [Gramavision Records, 1985]

Leroy Jenkins;  URBAN BLUES  [Black Saint Records, 1984]

Richard Dunbar; RUNNING BUDDIES, Vol. 1  [Jahari Records, 1983]

Richard Dunbar; RUNNING BUDDIES, Vol. 2  [Jahari Records, 1983]

Dr. Umezu Band;  DYNAMITE  [London Records, 1983]

Archie Shepp;  LIVE AT THE PALAIS DES GLACE  [Blu Marge Records, 1980]

Marion Brown;  ZENZILE  [Baystate Records, 1977}

 
My favorite tool is my voice. I love to sing more than anything in the world. I love to remind myself that my voice is unique and that no two people make the same sounds. That’s a difficult lesson for most people with any consciousness of voice. Whether speaking or singing, each person’s voice has its own specific biological assets and restrictions. Find my own and loving it are important to using this “tool”… But the two are not the same nor are they necessarily related.
 
When I play, I’m hunting for the warmest spot…. untangling knots and pulling out threads, webs, nests with my teeth to let some light into this place. I just hope my choices are luminous. Sometimes I loose sense of who and what I am. But, I still know fully that I’m building something really big.
 
My sense of rhythm is a little funny I think. Quirky maybe. In a way, it’s like my hair, which I’ve always refused to straighten, it’s what comforts me when I feel really far from home.
 
When I play or sing, I’m looking for something that’s buried beneath the surface… behind the sound. Each note, a stepping stone towards the next one.
 
Sometimes, my voice has a prophetic sound. Like I’m warning. I didn’t manufacture that sound. It’s not even one I’ve always liked. I don’t really know where it comes from. It’s hardly my mother’s vibrating, swelling bell tones, or my father’s soothing serenade.